FLY

石头舞团20周年诚意之作

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“逢石头舞团成立20周年，陈连和再创舞剧《飞》，将马来西亚的大地之美，融舞之中。

海浪山峦、蕉林椰雨，家国的日出日落、土地的鸟叫虫鸣，通过传统与现代的舞蹈语汇及马来半岛实景影像、带观众感受大地的芬芳与璀璨，在舞者的身影与大地的呼吸中，体会生命的韧力与活力。”

（巴生讯）石头舞团成立20周年舞剧《飞：半岛啊！让我纵情地在您怀里跳舞》，将于2020年2月14日至16日，假吉隆坡The Platform, Menara KEN TTDI上演。

艺术总监陈连和以关心挚爱马来西亚的心情，将家国的大地之美，融舞之中。通过传统与现代的舞蹈语汇，并结合20年来石头舞团各大经典舞蹈中的肢体概念，创作全新舞剧；新创之余，更有传承之味。

“我在里头加入了很多不同形态的舞蹈，并且采用跨领域的表演形式，每一段的特色都很不一样”，陈连和说。

据悉，舞剧结合了马来半岛实景影像、鼓、小提琴、甘美兰等多种元素，让舞蹈与之碰撞，火花四溢。

陈连和表示，“我把天、地、人这三大元素，以不同舞种的方式呈现出来，编入这2小时的舞剧当中”。

《飞：半岛啊！让我纵情地在您怀里跳舞》共分为3大幕9支舞蹈：海天一色、土地雨林、家园；每一幕皆由3至4支舞蹈组成。值得一提的事，海浪、雨林、落叶、犀鸟、大红花等多种大马特色，将以其独特面貌在舞剧中出现，加以浓厚的南洋风采，非常让人期待。

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新旧舞者荟萃 齐心献力

石头舞团成立20年，历届舞者人数超过150名，所培养的的舞者及舞蹈师资更是不计其数。

趁此20周年盛事，历代舞者纷纷回归——巴生总团舞者、峇株二团舞者、阳光计划舞者等，他们之中有的重回舞台，有的担起制作工作，众志成城，共举大业。

其中，创团舞者黄志雄也将参演。黄志雄是石头舞团创团后的第一批舞者。2005年，以“一级荣誉艺术学士”毕业于香港演艺学院现代舞系，并在同年加入台湾云门舞集担任专业舞者，于2013年毕业于台湾国立台北艺术大学舞蹈创作研究所。返马发展后，曾担任白沙罗表演艺术中心（DPAC）艺术总监，现为马来亚大学舞蹈系讲师。

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处处剧场 全民起舞

石头舞团成立自1999年，秉着“处处剧场，全民起舞”的宗旨，走舞半岛大小城乡。在吉隆坡大小剧场演出之余，更走入社区与校园，以表演、演讲、舞蹈示范的方式，让大马的乡亲朋友更亲近舞蹈，贴近艺术。

演出包括着重传统文化推动的《舞年红》、《舞下乡》巡回演出；艺术走进校园的《处处剧场暖校园》系列；注重新新人类心声的《狂蜂浪蝶》与《e－代舞事》；与国外舞者合作的文化交流方案《台马艺术交流会》、《飞越三代》等，演出所到之处，好评如潮。

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“FLY” - A dance production celebrating the 20th Anniversary of Batu Dance Theatre

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“FLY” is a dance production that fuses the beautiful landscape of Malaysia into dance, specially created by Mr. Vincent Tan Lian Ho to celebrate the 20th anniversary of Batu Dance Theatre.

This production attempts to bring the vast landscape of mountains and seas, the sunrise and sunset, the flora and fauna through the languages of traditional and contemporary dance and also the video projection of the Peninsular Malaysia. The audience will be able to feel the tenacity and energy of life from the breath and movements of the dance.

(Klang) “FLY: Dancing in the arms of Peninsular Malaysia”, is a dance production created in conjunction of the 20th Anniversary of Batu Dance Theatre, which will be held from 14th -16th February 2020 at The Platform, Menara KEN TTDI.

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It is the love for the homeland that artistic director Mr. Vincent Tan Lian Ho is inspired to fuse the beautiful landscape of Malaysia into dance. Through both traditional and contemporary dance, as well as the 20 years of classic repertoire’s movement concepts, a brand new dance production is thus created to inspire and to pass on.

“I’ve included various forms of dance and interdisciplinary forms of performances in the production, each with its unique features,” says Tan.

The dance production has combined the video projection of the Peninsular Malaysia’s landscape, percussion and gamelan music, violin performance and many other elements to the dance for more excitement and inspiration.

“In this 2 hour of dance production, I will bring out the three elements of the sky, the earth and the people using different dance genres,” says Tan.

There are 3 scenes with 9 dances in “FLY: Dancing in the arms of Peninsular Malaysia” and they are The Horizon, The Forest and The Homeland respectively. Each of these scenes will be formed by 3 to 4 dances. The waves, forests, falling leaves, hornbill, hibiscus and many more of Malaysia’s special features will be presented in its unique way to highlight the nostalgic atmospheres.

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The Former and The Current Come Together

With Batu Dance Theatre founded more than 20 years ago, it has trained over 150 dancers, many became dancers and teachers today.

Alumni of Batu Dance Theatre main company dancers, the second company dancers, Sunshine Project young dancer training programme dancers and many more return either to make their appearances on stage or helping out with the overall production matters. This includes one of the founding dancers of Batu Dance Theatre, Wong Jyh Shyong (JS). Wong graduated with Bachelor of Fine Arts from The Hong Kong Academy for Performing Arts with First Class Honors in 2005 and joined Taiwan’s Cloud Gate Dance Theatre in the same year. JS received his Master of Fine Arts from Graduate Institute of Choreography, Taipei National University of the Arts in 2013 and upon returning to Malaysia, he became the artistic director of Damansara Performing Arts Centre (DPAC). He is now a dance lecturer with University of Malaya.

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Everywhere’s Theatre, Everyone’s Dancing

Batu Dance Theatre was formed in 1999, it has travelled most of the urban and rural towns in the Peninsular Malaysia based on the sentiment of “Everywhere’s Theatre, Everyone’s Dancing.” In addition to the usual dance performances, Batu Dance Theatre has also gone into the community and schools, to perform, to give talks as well as dance demonstration in an attempt to bring dance closer to the people.

Batu Dance Theatre’s dance performances include the traditional performing arts performances <ROUGE> series, <Everywhere’s Theatre – Into The Rurals>, arts in the schools <Everywhere’s Theatre – Into The School> series, contemporary dance works <BATU Breakthrough: Topsy-Turvy> and <gen-e of dance> series, collaboration with overseas dancers projects like <Taiwan-Malaysia Cultural Exchange> and <CROSS GENERATIONS> and many more and have received rave reviews for all the performances.

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关于陈连和

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About Mr Vincent Tan Lian Ho

Founder and artistic director of Batu Dance Theatre Malaysia, Lian Ho was born in Batu Pahat, Malaysia in 1960. A thespian of Chinese arts and culture since young, he chose to complete his BBA in Taiwan. While studying there, he became the protégé of Lin Hwai Min and Ming-Hsen Ku, the two eminent dance mentors in Taiwan. Since 1981, he has performed with several companies, namely, The Taipei Ballet Theatre, Francis Tao Dance Troupe and was a choreographer and a teacher with the Taiwan Overseas Chinese Student Dance Group. In 1986, he returned to Malaysia and began his professional career as a dancer, choreographer, and teacher. In 1988, he founded the Batu Pahat Dance Troupe and began building his pathway in Malaysia. His works with Batu Pahat Dance Troupe have been well acknowledged and awarded with numerous awards in National Chinese Dance Festival of Malaysia. His endeavour brought on the attention of South East Asia on Taiwan’s Dance Education.

In 1999, he visited Bali, London, Paris to further his research in professional theatre practicing and later returned to Malaysia, in the same year he founded “Batu Dance Theatre”, driven by the mission “Everywhere’s Theatre, Everyone’s Dancing”: to involve everybody in performing arts, bringing arts back into the everyday life of the people, and establishing performing arts in a social context, he brought up a troupe of dancers, trained with diverse quality, to perform for audiences of urban and suburban platforms.

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